Podcast

  • #283 – Jenna Rodgers

    Jenna is a mixed-race Director and Dramaturg based on Treaty 7 Territory. She is the founding Artistic Director of Chromatic Theatre – a company dedicated to producing and developing work by and for artists of colour. Jenna is also the Dramaturg for the Playwrights Lab at the Banff Centre for Arts and Creativity. A passionate arts equity advocate, she is a graduate of the NTS Artistic Leadership Residency, the Banff Centre’s Cultural Leadership program, and the artEquity National Facilitator Training cohort. She was shortlisted for the 2021 Gina’s Prize and is a recipient of a 2018 Lieutenant Governor’s Award for Emerging Artists. She holds an MA in International Performance Research from the universities of Amsterdam and Tampere.

    Recent Directing credits include Mary’s Wedding _at the Citadel Theatre, _Actually _at Alberta Theatre Projects, and Sherlock Holmes and the Raven’s Curse at Vertigo Theatre; For Chromatic Theatre (我的名是张欣恩 (Gimme Chance Leh), Winners and Losers, Cowboy Versus Samurai); fu-GEN Theatre (Mixie and the Halfbreeds); Workshop West Theatre (Beyond the Darkness); Pape and Taper Theatre (Timmy, Tommy, and the Haunted Hotel); and Lunchbox Theatre (Let the Light of Day Through). She was selected as part of the 2020 Michael Langham Directors Conservatory at the Stratford Festival. [ Read more ]

  • #282 – Caleigh Crow

    Caleigh Crow is a queer Métis writer, musician, and performer from Calgary. Her work tends towards themes of metaphysics, class struggle, magic, and joy. Previous topics include: a talking crow with magical powers who transforms a grocery store clerk into the agent of her own freedom, the Antifa Supersoldier, the intersection between 12th century Franciscan nuns and Britney Spears, witch revenge, and a landlord musical.

    Playwriting credits include HEXEN, The Order of the Poor Ladies, Kill Time Before Time Kills You, and There is Violence and There is Righteous Violence and There is Death; or The Born Again Crow, most recently performed in partnership with Gwaandak Theatre in Whitehorse. Her latest play, Hucksterland: The Musical, is in development with the support of Chromatic Theatre’s inaugural BIPOC Playwrights Unit. She wrote and performed in Betch-A-Sketch at the St Ambroise Montreal FRINGE Festival, and was the assistant director for Gender? I Hardly Know Them’s HTTPEEPEE this summer, marking her entry into sketch comedy. She has performed in the Revolution They Wrote: Feminist Short Works Theatre Festival, the Montreal Anarchist Theatre Festival, and Sage Theatre’s Ignite! Festival. You can hear her in the Alberta Queer Calendar Project’s Without You by Elena Belyea, in the role of Andrea, wherever you get your podcasts. She also plays bass guitar in the band Pope Joan. Her work tends towards themes of metaphysics, class struggle, magic, and joy.
    [ Read more ]

  • #281 – Chelsea Haraburda & Ryan Percival

    Chelsea Haraburda
    Chelsea Haraburda (she/they) is a performer, producer, director, designer, and creator for stage and screen. Chelsea is proudly queer and passionate about featuring voices of socio-economic diversity, queerness, and their works seem to continuously feature their hometown, Hamilton ON. Over the past 6 years, Chelsea has performed as both a solo and collaborative artist at a number of festivals including Hamilton Fringe, Toronto Fringe, and FKN Make Film Festival. While studying a Bachelor of Arts in Theatre Studies, Chelsea produced their first solo show, entitled “For Eden” hosted by the Array Space and York University. Chelsea has gone on to produce and perform deeply personal and original interactive installations, such as “Full Disclosure: A Story for Eden” (2018) in association with mentorship programs such as The Junction/Theatre Aquarius and Crapshoot/Tarragon Theatre. This summer, Chelsea is returning to the Hamilton Fringe with a new play “Vagabond” in collaboration with Ryan Percival and ADD Productions where they will be featuring whimsical shadow art projections while exploring gender expression, and the idea of home.

    Ryan Percival
    Ryan Percival is a Toronto-based creator who specializes in back projection shadow and stencil art, as well as site specific show creation. After graduating the York University Devised Theatre program, he jumped right into show creation and film work, directing 2 shows at the Toronto Fringe Festival, featuring a guerrilla marching band in a bar setting combined with solo storytelling, as well as it’s Hamilton Fringe Festival grandfather, The Teeny Tiny Music Show (R.I.P Baltimore House). Ryan also Stage managed Phil Rickaby’s solo prophecy The Commandment at The Toronto Fringe Festival, and served as Dramaturg for Glass Wall Theatre’s Hamilton Fringe Debut, For Eden, an intimate site specific installation piece about youth homelessness in Hamilton. Ryan and his company, Attention Deficit Drama, are delighted to be collaborating with Chelsea Haraburda and Glass Wall once again for our new show, Vagabond, premiering at this year’s Hamilton Fringe Festival Digital showcase. Ryan also loves cooking, bad movies, and adorable animal videos on Youtube.

    [ Read more ]

  • #280 – Conor Wylie

    Conor Wylie is a performer, writer, and director creating experimental theatre. He lives and works on the unceded, ancestral, and occupied lands of the Coast Salish peoples, including the xʷməθkʷəy̓əm (Musqueam), Səl̓ílwətaɬ (Tsleil-Waututh), and Skwxwú7mesh (Squamish) nations.

    Alongside Nancy Tam and Daniel O’Shea, he runs A Wake of Vultures, a performance collective working across sonic, visual, and theatrical disciplines, who recently released an online miniseries called K BODY AND MIND, a mash-up of 90s cyberpunk anime aesthetics and minimalist theatre.

    Conor's work has increasingly incorporated explorations of science-fiction and videogame aesthetics, and he frequently collaborates with a variety of independent companies, including Theatre Replacement, Hong Kong Exile, and members of the Progress Lab consortium. In 2019, he was named Siminovitch Prize Protégé by Maiko Yamamoto and James Long. In 2021, he joins the writing team of a new video game studio, sunset visitor 斜陽過客.  [ Read more ]

  • #279 – Yvonne Addai

    Yvonne Addai is an Ghanaian- Canadian Actor/ Artist Educator. She is a graduate from the University of Saskatchewan BFA acting program. She has had the opportunity to work on stages in Saskatchewan and now calls Toronto home. She was also part of the 2019.2020 Factory Theatre’s Mechanicals program under the Leadership of Nina lee Aquino and Natasha Mumba. Along with acting, Yvonne is passionate about the importance of art education and creation with children. She works with Young People's Theatre as an artist educator. Her selected theatre credits include The Tempest ( Shakespeare on the Saskatchewan) An Atlas and Other Concerns (Toronto Fringe) Monday Night (Highway 55 Production/Live 5 ), Overhear ( Nutrien Fringe Saskatoon), Pride & Prejudice (Persephone Theatre) ,The Shorts Cuts festival (Hardly Art Theatre) ,The Woodcutter and the Lion ( Sum Theatre) and Les Liaisons Dangereuses (Theatre Naught/ Live Five). [ Read more ]

  • #278 – Joella Crichton & Sedina Fiati

    Joella Crichton

    Joella Crichton is an actor for stage and screen. She holds a BFA in Acting from York University. Joella is passionate about her Caribbean heritage and is the nine time Queen of Carnival here in Toronto. She has been nominated for her work on stage and loves the theatre!

    Sedina Fiati

    Sedina Fiati is a Toronto based performer, producer, director, creator and activist for stage and screen. Proudly Black and queer, Sedina is deeply invested in artistic work that explores the intersection between art and activism, either in form or structure or ideally both. [ Read more ]

  • #277 – Kendra Jones & Blythe Haynes

    Kendra Jones

    A director, creator, and dramaturg, Kendra Jones graduated with Distinction from the MA Text & Performance at the Royal Academy of Dramatic Art (RADA), London, and holds a BA(Hons) in Theatre Performance from the University of Winnipeg where she has also been guest faculty. Kendra is also a creator of original work, including Dear Mama, Tonight at Eight, Autel, and her adaptation of Marlowe’s Edward II. She writes about contemporary performance from an academic perspective on her blog; this writing focuses on the performer-audience relationship and the ethics of performance, and has been published by CBC Manitoba, Common Ground Publishing, Brunel University, and the Humanities Education Research Association. In 2020, Kendra’s site-specific production of Tim Crouch’s I, Malvolio toured to ShakespeareFest in Winnipeg to critical acclaim, and her direction of Love2 Theatre’s production of Judith Thompson’s Watching Glory Die ran in February 2020 at the Grand Canyon in Toronto, receiving accolades from audiences and critics alike for its inventive staging and visceral interpretation of the script.

    Blythe Haynes

    BLYTHE HAYNES (she/her) has had a varied career with many stops along the way. From her first gig at ten months old in a LOTTO 64 commercial, she went on to obtain her BFA in Acting from the University of Alberta. Blythe has called Toronto home for some time, where she is an actor, award winning voice artist and producer. She is a co-founder and co-artistic director of Gangway! Theatre Co., a Toronto-based collective focused on exploring feminism, Canadian history, and mental health through an intersectional lens. She is also a co-founder of the History Actor Department at Black Creek Pioneer Village, where her interest in site-specific theatre was born. Blythe regularly lends her voice to podcasts, including the award winning Six Stories, Told At Night and Campfire Radio Theatre’s Woods Ferry, and has received two PARSEC awards for her voice work. She was recently on the producing team of the Judith Thompson lead Watching Glory Die at the Edinburgh Fringe Festival, where she created and hosted a podcast to accompany the production. [ Read more ]

  • #276 – Cassie Davidson

    Cassie Davidson is an emerging actor, indie producer, playwright, and theatre educator from the beautiful small town of Walkerton, Ontario. She holds a Bachelor of Arts in Theatre Studies from The University of Guelph and is a graduate from George Brown Theatre School’s acting conservatory. Cassie is also a certified basic actor combatant with FDC, and will be continuing to advance her certifications when restrictions are lifted. Recently, Cassie has begun teaching youth acting classes with Stagecoach Oakville and on Outschool. She comes from a long line of teachers in her family, and is not at all surprised that she ended up in the world of education. As a founding member of Theatre Foolscap (a new Toronto-based indie theatre company), she is very passionate about helping other emerging theatre artists showcase their work and find opportunities to further their craft. Cassie is passionate about heart racing, heightened, highly physical theatre that features powerful women in powerful positions. Currently, she is producing a series of horror, radio plays called “The Chilling Anthologies of Theatre Foolscap” alongside her partner Ryan Maxwell and collaborator Duncan Gibson-Lockhart. [ Read more ]

  • #275 – Keith Tomasek

    Keith Tomasek is an award-winning arts marketing consultant whose Facebook campaign for the Grand Theatre won the International Association of Business Communicators' Virtuoso Award. Recently, Keith's campaigns have sold over $400,000 worth of tickets to virtual events. He's also the leader of the Arts Marketing Mastermind group. Keith studied theatre in Montreal and is the founder of the website Stratford Festival Reviews and The Performers Podcast. [ Read more ]

  • #274 – Lauren Allen

    Lauren Allen is a theatre artist originally from Saskatoon, Saskatchewan. Since graduating from Grant MacEwan University in 2013, she has worked across Canada and Europe as an actor, producer, burlesque instructor, stage manager, and director. She has settled in Toronto, for the moment. Most recently she has taken courses to become a script supervisor and will soon be seen again in Saskatchewan for Burn Rubber, Dolly at The Lyric Theatre in Swift Current. Lauren is also a social media marketer, and the creator of Social Media the L.A. Way. [ Read more ]

  • #273 – Lili Robinson

    Lili Robinson (she/they) is a playwright, poet, actor and community organizer based on the unceded territories of the Musqueam, Squamish, and Tsleil-Waututh First Nations. Lili is passionate about centring voices at the intersections of queerness, Black diaspora, socio-economic diversity and femme identity in her work. Having completed a year as the Artistic Producing Intern at Theatre Replacement in 2019, Lili is currently the Emerging Playwright in Residence at Rumble Theatre, and recently completed the Emerging Playwrights’ Unit at the Arts Club. Beyond playwriting, their most recent projects include: the role of Alejandra in Rumble’s online production of B by Guillermo Calderón; writing for Theatre Replacement’s sound installation project Speaker A; and co-organizing Rest and Resilience, a series of events creating space for the Black Queer community to connect this past summer. Mx, Lili’s debut play, was the recipient of the Fringe New Play Prize in 2019. Mx went on to win the Cultchivating the Fringe Award, earning the show a spot in the Cultch’s upcoming 2021 spring season. [ Read more ]

  • #272 – Tsholo Khalema

    A multifaceted artist currently based in Toronto. A South African Transgender man born in the midst of apartheid and witnessed the fall of an era while assimilating to life in Canada. The last born in a Methodist house hold, growing up on the westernmost prairie provinces of Canada where he began his lifelong pursuit of learning the art of theatre and film. An Actor, director and a self-taught film editor/ photographer, his art practices aims to enhance the Black and Transgender voice(s) showing the many different diverse intersectionality of blackness.  [ Read more ]

  • #271 – Kyungseo Min

    Kyungseo Min is a storyteller, no matter the medium. Her journey began in theatre, riveted by the power of live performances. With her stories and performances, she challenge her audience to re-think Western standards of storytelling, and strives for experiences that weave Oriental and Occidental philosophies, breaking linear structure and finding drama not only in action, but stillness as well. Kyungseo writes and performs stories that remove her audience from reality, transporting them into a realm where a single word or gesture can slow down the heartbeat, making the audience stop in their seat and feel what is underneath the banalities of the everyday.  [ Read more ]

  • #270 – Jasmine Chen

    Jasmine Chen is a Chinese-Canadian multidisciplinary artist based in Toronto and Vancouver. Jasmine was born in T’karonto (the place in the water where the trees are standing), where from an early age she was immersed in arts based education. An alumni of the Claude Watson Arts Program, Jasmine studied Music, Art, Dance and Theatre for nine years. She majored as a dancer for four years, training and competing in ballet, jazz and modern. In high school she majored in Theatre, where she was president of the Arts Council. Her time spent in extracurricular shows and performances led her to continue her post-secondary training in the Theatre Performance: Acting Program at Ryerson University, graduating with a BFA. Jasmine has worked extensively as a performer in Theatre and Film/TV. She is a director, performer, educator, movement coach, community facilitator, and producer. Jasmine has engaged with audiences across Canada in repertory festivals, independent theatres, site-specific spaces, regional theatres and outdoor venues. She has worked with leaders in film, opera, music, theatre, and media, such as: Atom Egoyan, Aria Umezawa, Lido Pimienta, Hawksley Workman, Ins Choi, and Amanda Parris. She has taught at Studio 58 Langara College, McGill Schulich School of Music, the Paprika Festival, Festival Players Academy, Canadian Stage, Cahoots Theatre, and the Children’s Peace Theatre. Jasmine is the recipient of the Gina Wilkinson Award for Female Directors, the Stratford Festival Jean Gascon Award, a Toronto Harold Award, and is a Dora Mavor Moore Award nominee. [ Read more ]

  • #269 – Brenda Kamino

    Brenda Kamino is an actor, artist, teacher, and cultural activist. Brenda has been seen as a performer on many of Canada's best known stages for over 40 years. A veteran performer of the Shaw Festival, she has created many roles in new plays at such theatres as Theatre Passe Muraille, Factory Theatre and Young Peoples' Theatre in Toronto as well as the Prairie Theatre Exchange in Winnipeg and Alberta Theatre Projects in Calgary. Her theatrical career has taken her from the National Arts Centre in Ottawa to the Citadel in Edmonton in shows as varied as the Dora Award Nominated "Naomi's Road" to "M. Butterfly", working with such directors as Canadians Douglas Campbell, Peter Hinton, Jackie Maxwell, Neil Munro, Dennis Foon, Sue Miner, Ed Roy, Sally Han, Vinetta Strombergs, Ron Jenkins, Nina Aquino and Guillermo Verdecchia, as well as British Director Tudor Davies and American Directors Lane Nishikawa, David Levine and Raul Aranas. Her performance in "suicide notes" by Kenneth Williams for Toronto's Summerworks Festival, garnered her recognition for Outstanding Performance by Now Magazine. Her television and film career includes over 100 guest and lead performances and many years as host, narrator, radio artist and improviser. [ Read more ]

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@EldritchTheatre: Just had a great conversation with our "Castle Crew" @ericwoolfe @adriannap and @RosemaryEDoyle talking about Eldritch Theatre + RED Sandcastle past/present/future with @stageworthypod - looking forward to sharing our ideas with #theaTO community https://t.co/IuoSVTgVXT
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- 4 days ago

On this week's episode, performer, actor & vocalist, Uche Ama. https://t.co/3D3P6i8WHS
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- 9 days ago

@DavidSRudin: anyhow, a reminder of what Toronto's budget looks like #TOpoli https://t.co/365QOPOF6T
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- 11 days ago

This week, playwright and director, Erin Jones. Erin is the writer of Time Limits Dropped on Easter Sunday, presented as part of the Toronto Fringe. https://t.co/mnYgYByb4z #TheaTO #FringeTO https://t.co/tjIN0uOXPs
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- 18 days ago

This week, theatre creator and filmmaker, Steven Griffin. https://t.co/3GueQU5Nd8 https://t.co/KRmPaSyNX6
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