Recent Posts

  • #291 – Vikki Velenosi

    Vikki is an actor from Toronto, ON who accidentally stumbled upon her purpose. In 2012, she started a business, offering affordable studio and performance space to her fellow artists. It wasn't until a few years later that she realized that what she was doing was running a business and she was actually an entrepreneur and had been one all along. This led her to realize that all artists are actually entrepreneurs and yet all of the business resources and language that are made available to entrepreneurs are missing in arts education and culture. Vikki is now a multi-passionate artist-entrepreneur, business owner, author and coach, helping other artists turn their passion into a purpose and their creative skills into a paycheque, without losing the art. 

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  • #290 – Brad Fraser

    Brad Fraser is one of Canada's best known playwrights. Born in Edmonton, Alberta, in 1959, Brad won his first playwriting competition at the age of seventeen, and has been writing ever since. Brad's international hit play Unidentified Human Remains and the True Nature of Love premiered at the Alberta Theatre Projects' PlayRites Festival in 1989. It has since been produced worldwide, in many languages, with highly successful runs in Toronto, New York, Chicago, Milan, Sydney and London. Poor Super Man, developed by Canadian Stage, was first produced by the Ensemble Theatre of Cincinnati in 1994 and has enjoyed successful runs in many cities, including Toronto, London, Sydney, Edinburgh and Denver. It was nominated for a Governor General's Literary Award for Drama and adapted into a feature film, Leaving Metropolis, written and directed by Brad. Poor Super Man, like Unidentified Human Remains, was listed by Time magazine as one of the top ten plays of its year. Many other plays have followed in successful productions. Brad has also written extensively for magazines and newspapers, including The Globe and Mail and the National Post, and for three seasons was a writer and producer on Showtime's Queer As Folk.

    Brad Fraser's Memoir, All The Rage, is available now at your favourite bookseller.

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  • #289 – Sarah Marchand and Breanna Maloney

    Sarah Marchand is an award-winning performer, producer, and founder of Alma Matters Productions. Breanna Maloney (she/her) is an actor, writer and indie theatre producer based in and around Toronto.

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  • #288 – Shane Adamczak

    Shane Adamczak graduated from WAAPA in 2003 and has since gone on to become a stalwart of the West Australian Theatre and Improv scene; a Fringe Festival veteran of over 50 festivals worldwide and “One of Perth’s most successful independent theatre creators” (The Sunday Times) as a founding member and current Artistic Director of Independent Theatre Company Weeping Spoon Productions. He best known for his roles in FRANKIES, Richard O’Brien’s The Rocky Horror Show, Vicious Circles, Trampoline and This Is Not A Love Song. His most recent work is a play about a man who lives in another man’s beard called The Ballad Of Frank Allen, which won the coveted JUST FOR LAUGHS award (Best Comedy) at The Montreal Fringe. He was also the face of STAN’s national “Hungry Eyes” campaign.  He is the host of the Good Morning Mrs. Strawberry podcast and recently launched his own independent toy company CUBE BOY COLLECTABLES.

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  • #287 – joey o’dael

    joey o'dael is a Dora award-nominated trans nonbinary artist, performer, director, and comedian. A UWinnipeg/Randolph College alum, joey has cultivated a career focused on social equity, accessibility, and challenging oppressive paradigms. Raised in a remote Northern Manitoban community, they are deeply invested in bringing art and training opportunities to underserved communities across Turtle Island. In 2017, joey served as co-writer, dramaturg, producer, and performer for the award-winning, breakout hit ‘NASTY’ at the Toronto Fringe. They are a co-founder of both Maelstrom Art Collective; a collective dedicated to creating diverse protest pieces, and horror theatre company Aberrant Theatre.

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  • #286 – Caroline Toal

    Caroline Toal is an award winning actor and a graduate of George Brown Theatre School. Theatrically, Caroline has performed in Seattle, Montreal, Toronto, all across southern Ontario, and has originated roles for multiple new Canadian productions. Caroline has been nominated for six awards, winning Dora Mavor Moore awards for ‘Outstanding Ensemble’ in both Casimir and Caroline produced by The Howland Company in 2020 and for the world premiere of Selfie by Christine Quintana at Young People’s Theatre in 2018. 

    Caroline co-wrote Single Thread Theatre Company’s immersive production of Ambrose in 2015 and she is currently writing her first play, Survivors, supported by Studio 180 and Workman Arts. She is passionate about mental health awareness and the environment.
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  • #285 – Emotional Bleed in theatre: a conversation with Siobhan Richardson & Nicole Winchester

    Siobhan Richardson is an internationally-recognized Fight Director, an Intimacy Director (a pioneer voice in this specialty across Canada), and an award-winning actor/fighter/singer/dancer. Her teaching career has spanned Canada, USA and Europe, including international events such as the Paddy Crean International Art of the Sword Workshop, Fight Directors Canada's National Workshops, and the Nordic Stage Fight Society's Summer Workshops, and four separate teaching tours including Sweden, Norway, Estonia, England, Ireland, Scotland, Finland, Germany and France. She’s been both a student and a teacher online for over a decade.

    Nicole Winchester is a storyteller, a narrative designer for live-action and tabletop roleplaying, and an ‘international larper of mystery.’ A co-founder of Fair Escape Studios where she produced two sold-out immersive evenings of vampire intrigue, she has written for Green Ronin Publishing, Pseudonym Productions, John Wick Presents, the Toronto Star, and more. Currently studying Social Work at York University, Nicole’s latest work is “Heather was right: The real curse in The Blair Witch Project is the mediocre white dude,” an essay in Transgressive Horror launching April 27th, on Kickstarter.

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  • #284 – Daniel Fong

    Daniel Fong is an actor, singer and mostly coordinated mover bringing light and laughter from his hometown of Calgary, Alberta in Treaty 7 territory. With his mixed-race background, Daniel’s work centers around the breathing of life into new works, and reimagining treasured stories in contemporary ways. Daniel received his training at Grant MacEwan University (Class of 2012) and was the recipient of the Stephen Hair Emerging Artist Award for 2019. Using his music, heart and energy he hopes to help lead his local theatre community into the next chapter of its journey. 

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  • #283 – Jenna Rodgers

    Jenna is a mixed-race Director and Dramaturg based on Treaty 7 Territory. She is the founding Artistic Director of Chromatic Theatre – a company dedicated to producing and developing work by and for artists of colour. Jenna is also the Dramaturg for the Playwrights Lab at the Banff Centre for Arts and Creativity. A passionate arts equity advocate, she is a graduate of the NTS Artistic Leadership Residency, the Banff Centre’s Cultural Leadership program, and the artEquity National Facilitator Training cohort. She was shortlisted for the 2021 Gina’s Prize and is a recipient of a 2018 Lieutenant Governor’s Award for Emerging Artists. She holds an MA in International Performance Research from the universities of Amsterdam and Tampere.

    Recent Directing credits include Mary’s Wedding _at the Citadel Theatre, _Actually _at Alberta Theatre Projects, and Sherlock Holmes and the Raven’s Curse at Vertigo Theatre; For Chromatic Theatre (我的名是张欣恩 (Gimme Chance Leh), Winners and Losers, Cowboy Versus Samurai); fu-GEN Theatre (Mixie and the Halfbreeds); Workshop West Theatre (Beyond the Darkness); Pape and Taper Theatre (Timmy, Tommy, and the Haunted Hotel); and Lunchbox Theatre (Let the Light of Day Through). She was selected as part of the 2020 Michael Langham Directors Conservatory at the Stratford Festival. [ Read more ]

  • #282 – Caleigh Crow

    Caleigh Crow is a queer Métis writer, musician, and performer from Calgary. Her work tends towards themes of metaphysics, class struggle, magic, and joy. Previous topics include: a talking crow with magical powers who transforms a grocery store clerk into the agent of her own freedom, the Antifa Supersoldier, the intersection between 12th century Franciscan nuns and Britney Spears, witch revenge, and a landlord musical.

    Playwriting credits include HEXEN, The Order of the Poor Ladies, Kill Time Before Time Kills You, and There is Violence and There is Righteous Violence and There is Death; or The Born Again Crow, most recently performed in partnership with Gwaandak Theatre in Whitehorse. Her latest play, Hucksterland: The Musical, is in development with the support of Chromatic Theatre’s inaugural BIPOC Playwrights Unit. She wrote and performed in Betch-A-Sketch at the St Ambroise Montreal FRINGE Festival, and was the assistant director for Gender? I Hardly Know Them’s HTTPEEPEE this summer, marking her entry into sketch comedy. She has performed in the Revolution They Wrote: Feminist Short Works Theatre Festival, the Montreal Anarchist Theatre Festival, and Sage Theatre’s Ignite! Festival. You can hear her in the Alberta Queer Calendar Project’s Without You by Elena Belyea, in the role of Andrea, wherever you get your podcasts. She also plays bass guitar in the band Pope Joan. Her work tends towards themes of metaphysics, class struggle, magic, and joy.
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  • #281 – Chelsea Haraburda & Ryan Percival

    Chelsea Haraburda
    Chelsea Haraburda (she/they) is a performer, producer, director, designer, and creator for stage and screen. Chelsea is proudly queer and passionate about featuring voices of socio-economic diversity, queerness, and their works seem to continuously feature their hometown, Hamilton ON. Over the past 6 years, Chelsea has performed as both a solo and collaborative artist at a number of festivals including Hamilton Fringe, Toronto Fringe, and FKN Make Film Festival. While studying a Bachelor of Arts in Theatre Studies, Chelsea produced their first solo show, entitled “For Eden” hosted by the Array Space and York University. Chelsea has gone on to produce and perform deeply personal and original interactive installations, such as “Full Disclosure: A Story for Eden” (2018) in association with mentorship programs such as The Junction/Theatre Aquarius and Crapshoot/Tarragon Theatre. This summer, Chelsea is returning to the Hamilton Fringe with a new play “Vagabond” in collaboration with Ryan Percival and ADD Productions where they will be featuring whimsical shadow art projections while exploring gender expression, and the idea of home.

    Ryan Percival
    Ryan Percival is a Toronto-based creator who specializes in back projection shadow and stencil art, as well as site specific show creation. After graduating the York University Devised Theatre program, he jumped right into show creation and film work, directing 2 shows at the Toronto Fringe Festival, featuring a guerrilla marching band in a bar setting combined with solo storytelling, as well as it’s Hamilton Fringe Festival grandfather, The Teeny Tiny Music Show (R.I.P Baltimore House). Ryan also Stage managed Phil Rickaby’s solo prophecy The Commandment at The Toronto Fringe Festival, and served as Dramaturg for Glass Wall Theatre’s Hamilton Fringe Debut, For Eden, an intimate site specific installation piece about youth homelessness in Hamilton. Ryan and his company, Attention Deficit Drama, are delighted to be collaborating with Chelsea Haraburda and Glass Wall once again for our new show, Vagabond, premiering at this year’s Hamilton Fringe Festival Digital showcase. Ryan also loves cooking, bad movies, and adorable animal videos on Youtube.

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  • #280 – Conor Wylie

    Conor Wylie is a performer, writer, and director creating experimental theatre. He lives and works on the unceded, ancestral, and occupied lands of the Coast Salish peoples, including the xʷməθkʷəy̓əm (Musqueam), Səl̓ílwətaɬ (Tsleil-Waututh), and Skwxwú7mesh (Squamish) nations.

    Alongside Nancy Tam and Daniel O’Shea, he runs A Wake of Vultures, a performance collective working across sonic, visual, and theatrical disciplines, who recently released an online miniseries called K BODY AND MIND, a mash-up of 90s cyberpunk anime aesthetics and minimalist theatre.

    Conor's work has increasingly incorporated explorations of science-fiction and videogame aesthetics, and he frequently collaborates with a variety of independent companies, including Theatre Replacement, Hong Kong Exile, and members of the Progress Lab consortium. In 2019, he was named Siminovitch Prize Protégé by Maiko Yamamoto and James Long. In 2021, he joins the writing team of a new video game studio, sunset visitor 斜陽過客.  [ Read more ]

  • #279 – Yvonne Addai

    Yvonne Addai is an Ghanaian- Canadian Actor/ Artist Educator. She is a graduate from the University of Saskatchewan BFA acting program. She has had the opportunity to work on stages in Saskatchewan and now calls Toronto home. She was also part of the 2019.2020 Factory Theatre’s Mechanicals program under the Leadership of Nina lee Aquino and Natasha Mumba. Along with acting, Yvonne is passionate about the importance of art education and creation with children. She works with Young People's Theatre as an artist educator. Her selected theatre credits include The Tempest ( Shakespeare on the Saskatchewan) An Atlas and Other Concerns (Toronto Fringe) Monday Night (Highway 55 Production/Live 5 ), Overhear ( Nutrien Fringe Saskatoon), Pride & Prejudice (Persephone Theatre) ,The Shorts Cuts festival (Hardly Art Theatre) ,The Woodcutter and the Lion ( Sum Theatre) and Les Liaisons Dangereuses (Theatre Naught/ Live Five). [ Read more ]

  • #278 – Joella Crichton & Sedina Fiati

    Joella Crichton

    Joella Crichton is an actor for stage and screen. She holds a BFA in Acting from York University. Joella is passionate about her Caribbean heritage and is the nine time Queen of Carnival here in Toronto. She has been nominated for her work on stage and loves the theatre!

    Sedina Fiati

    Sedina Fiati is a Toronto based performer, producer, director, creator and activist for stage and screen. Proudly Black and queer, Sedina is deeply invested in artistic work that explores the intersection between art and activism, either in form or structure or ideally both. [ Read more ]

  • #277 – Kendra Jones & Blythe Haynes

    Kendra Jones

    A director, creator, and dramaturg, Kendra Jones graduated with Distinction from the MA Text & Performance at the Royal Academy of Dramatic Art (RADA), London, and holds a BA(Hons) in Theatre Performance from the University of Winnipeg where she has also been guest faculty. Kendra is also a creator of original work, including Dear Mama, Tonight at Eight, Autel, and her adaptation of Marlowe’s Edward II. She writes about contemporary performance from an academic perspective on her blog; this writing focuses on the performer-audience relationship and the ethics of performance, and has been published by CBC Manitoba, Common Ground Publishing, Brunel University, and the Humanities Education Research Association. In 2020, Kendra’s site-specific production of Tim Crouch’s I, Malvolio toured to ShakespeareFest in Winnipeg to critical acclaim, and her direction of Love2 Theatre’s production of Judith Thompson’s Watching Glory Die ran in February 2020 at the Grand Canyon in Toronto, receiving accolades from audiences and critics alike for its inventive staging and visceral interpretation of the script.

    Blythe Haynes

    BLYTHE HAYNES (she/her) has had a varied career with many stops along the way. From her first gig at ten months old in a LOTTO 64 commercial, she went on to obtain her BFA in Acting from the University of Alberta. Blythe has called Toronto home for some time, where she is an actor, award winning voice artist and producer. She is a co-founder and co-artistic director of Gangway! Theatre Co., a Toronto-based collective focused on exploring feminism, Canadian history, and mental health through an intersectional lens. She is also a co-founder of the History Actor Department at Black Creek Pioneer Village, where her interest in site-specific theatre was born. Blythe regularly lends her voice to podcasts, including the award winning Six Stories, Told At Night and Campfire Radio Theatre’s Woods Ferry, and has received two PARSEC awards for her voice work. She was recently on the producing team of the Judith Thompson lead Watching Glory Die at the Edinburgh Fringe Festival, where she created and hosted a podcast to accompany the production. [ Read more ]

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StageworthyPod

- 12 days ago

On this episode, Keshia Palm & Julia Dickson of The Paprika Theatre Festival. https://t.co/9AacAYL6DF
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StageworthyPod

- 17 days ago

Still looking for feedback on Stageworthy. If you have two minutes, and have even listened to one episode of the podcast, I want your feedback on this survey: https://t.co/R2Jbr335cx
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StageworthyPod

- 19 days ago

On episode 304 of Stageworthy, theatre creator Sunny Drake. https://t.co/md8kHzEWfE https://t.co/aFVsc1EgzN
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